BloodASmedium
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You are getting better and better. Now let's get you leveled up some more. Start to think about the model and where your going to go with it, it's base etc. Will it be a cool piece with a cold atmosphere if so then you might think bout adding cool shadows , blue, or purple. Or to add contrast you might add warm shades in here skin, red(not a primary intense red, but a maroon or bergundy), red browns, just keep these in mind and whatever you decide you should always remember to mix it in with your base color when applying shades and highlights. Great job .
tip of the day - take a look at the piece in your top pic. Look where the shadows are their right there for you as a guide. See how the darkest places are under her neck the bottoms of the outstretched arms underneath them. The armpits under her snake belly. These are the darkest areas where're the sun don't shine lol.View attachment 60223 Look at the Luther model kind of the same stance outstretched arme under belly etc. If your a painter that uses up to white and down to black - again do not use these on there own but mix them in it will give an overall more realistic effect . White also should only be used sparingly on its own really for the very highest points or zeniths along with heat points. Try these out it may work or may not for your routine . What I can tell you is the more your eyes become used to being exercised to see these things the more pleased you'll be with your painting. To everybody we're all beyond the point of picking a color and shading it and then slapping on highlights when we begin to understand the fundamentals of light and shadows hitting objects the better our results will turn out.
tip of the day - take a look at the piece in your top pic. Look where the shadows are their right there for you as a guide. See how the darkest places are under her neck the bottoms of the outstretched arms underneath them. The armpits under her snake belly. These are the darkest areas where're the sun don't shine lol.View attachment 60223 Look at the Luther model kind of the same stance outstretched arme under belly etc. If your a painter that uses up to white and down to black - again do not use these on there own but mix them in it will give an overall more realistic effect . White also should only be used sparingly on its own really for the very highest points or zeniths along with heat points. Try these out it may work or may not for your routine . What I can tell you is the more your eyes become used to being exercised to see these things the more pleased you'll be with your painting. To everybody we're all beyond the point of picking a color and shading it and then slapping on highlights when we begin to understand the fundamentals of light and shadows hitting objects the better our results will turn out.
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