Game Changers: the miniature paintjobs that most influenced the hobby / art

Ritual

New member
Someone needs to mention Raul Garcia Latorre! I think he's influenced both historical and fantasy painting as well as sculpting and is one of the persons that have done much in bringing the two sides of the hobby together.
 

Kelly Kim

New member
Thanks for the suggestions, guys!

I think it's easier to point at certain painters and pick them out as hugely influencial, but I think I really screwed myself over by trying to pick just ten SPECIFIC INDIVIDUAL WORKS that I think were the most influencial. Do you guys have any particular pieces in mind?

Dragonsreach, I totally agree with you that John Blanche's stuff lacks refinement in areas, and even he admits in certain interviews that his approach to painting is hectic and rushed in various ways... I think he values momentum over precision. But if anything, it doesn't seem to hurt his impact and influence on the hobby in general any. And that particular minotaur with Mona Lisa banner has style elements in it that I think we can see echos of even today. He was in the right place, at the right time, and that piece struck the right nerve for many.

Right now, I think my next article will have to be on Victoria Lamb's "Rescue of Sister Joan" diorama. I was thinking of doing a non-GW piece after the Blanche article (I think I have a particular Jen Haley Rackham Confrontation Fiana in mind), but Victoria Lamb's work is definately one of the easiest pieces to point to and definatively say, "This piece changed how I painted models!". OSL went absolutely bat-sh*t crazy after she did that diorama.
 

Wyrmypops

New member
I'd have to google to find the names, but the early Eavy Metal painters did it for me. Seemed a time where the geekiness of the hobby was taking the erratic steps of a toddler learning to walk. Evolving from the historicals ranges, where bearded men in Real Ale and prog' rock t-shirts painted with oil paints and argued over the colour of the epaulettes of a napoleonic brigade.
Those early painters, playing with the water based paints, pushing what they could do. Adding stages between the suggested Base/Shade/Highlight. Making smooth transitions. The more arty knowing colours and using them evocatively. The Eavy Metal sections were aspirational content to learners. Not just tidy 3d illustrations, but often more arty creations.

The 90's "red period" with a focus on cleanliness and brightness was rather pushed on me (working for GW at the time). Taken a good while to return to less cartoony painting.
Since then, the folks that have pushed forward with lateral highlights and painterly effects like OSL have been inspiring. I'm left cold my NMM personally, favouring similar dramatic gradients but applied to the tones and amount of metallic sheen in TMM. Am similarly uninspired by airbrush work as more than a tool, a means to an end to block out colours, it's use as a blending tool actually makes me squirm a little but as a labour saving device it works a treat.

Well it's a brave thing you do, one man's meat etc....
Classic example is that I have never rated John Blanche's mini painting. The examples I've seen both in print and behind glass looked "scrappy" and half-hearted. Plus I'm not always appreciative of his work in 2D.

BUT I understand that I may well be alone in that view, so Hey Ho.

Newp, not alone. As an artist his style is open to that matter of taste thing. As an illustrator, less so. He sucks. Where the image is supposed to illustrate what something looks like, apparently everything looks like the same mess of feathers, high heels and ripped fishnets regardless of time and culture, all rendered in the same pee yellow, poo brown, blood red, and scratched black and white. He made Eldar look ugly, like punks. As a mini painter his work was more limited to the red and black choices.
Repetition and limited ability can be nice if you like what they're putting out. Status Quo's single song released under different names were alright, Oasis not so much if you didn't like that whiny monotone of a vocal. Blanche's painting would be fine if you liked that single song he kept painting.
 

Kelly Kim

New member
Well, the second article in my series is now complete and up on my blog. As promised, I went with Victoria Lamb's "Rescue of Sister Joan", the Slayer Sword winner from GD 2001. I think it's easy to say that it's a true game changer... the first OSL paintjob to really make an impact on this hobby, and the first female to win a Slayer Sword (and subsequently have pics of her entry show up in print and on the Net over and over and over again...).

http://sableandspray.blogspot.ca/2014/11/game-changers-osl-and-victoria-lambs.html

Comments and criticism always welcome.
 

BloodASmedium

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I gree Victoria lambs "rescue of sister joan" and a killer can with a duel and flamer I'm sure has revolutionized the osl used today!! Great idea this thread
 

fluisterwoud

New member
Great write up, Kim. For me, it was 11 years after the fact, but seeing Victoria's work changed the way I thought about painting. It inspired me to go from just throwing paint on my army to wanting to branch out to different models, learn all the techniques, become a better painter overall.
 

MPJ

New member
The first name that popped into my mind was Sheperd Paine, some of the older fellas may know his name. Amazing stuff going back to the 1970s (possibly earlier). I still have an early book by him that got me thinking about dioramas. He does a little fantasy but mostly historical and larger scales like 1/35 and 54mm, but he is the earliest inspiration I can think of.

You can check his web page at sheperdpaine.com

I dare say Sheperd Paine would have some claim to being the father of the 'modern diorama'.
 
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