Scherdy
New member
I started here with this (wet palette care thread)
I\'ve found with my wet palette, even after soaking the paper in very hot/boiling water, when I use thinned down paints that the water will quickly be pulled through the paper leaving just almost dry pigment stuck to the paper. This makes glazing or painting with very thin layers a challenge as it constantly is very quickly turning too dry. I feel like I am really soaking the sponge well under the paper but should I just go whole hog and make it a floating sponge island on a lake under the paper?
Some of my paints (vallejo black for example) even get pulled through the paper itself into the sponge where others do not seem to pass through the paper nearly as easily or at all.
I should look up my old biology teacher and have her explain osmosis again for me in terms of paint palettes
I\'ve found with my wet palette, even after soaking the paper in very hot/boiling water, when I use thinned down paints that the water will quickly be pulled through the paper leaving just almost dry pigment stuck to the paper. This makes glazing or painting with very thin layers a challenge as it constantly is very quickly turning too dry. I feel like I am really soaking the sponge well under the paper but should I just go whole hog and make it a floating sponge island on a lake under the paper?
Some of my paints (vallejo black for example) even get pulled through the paper itself into the sponge where others do not seem to pass through the paper nearly as easily or at all.
I should look up my old biology teacher and have her explain osmosis again for me in terms of paint palettes