Overhead/zenithal lighting painters

Einion

New member
Just curious how you decide on how the lighting works, do you:
  • imagine how the light will fall based on a certain \'look\' you want to capture;
    study the mini under a strong lightsource to map out the effect;
    check from above and below as you paint to see if the lights and darks are placed consistently;
    use a white, grey, black sprayed basecoat to start the effect off?
A combination of these, or some other method?

Einion
 

Chrispy

New member
I personally use the mthod of priming all black and using white. Grey will give you better gradation, but white gives more contrast. I also kinda use the overhead light and my worklight as a guide, but nothing\'s realy decided on it too much. I\'d have to say above all, it\'s your own imagination! :p
 

Galante

New member
I always use the two middle options.
To keep it simple, for me the light always comes from the top and I keep looking at it from above to see where to put the highlights.
Sometimes I\'ll put it under a light to see where it casts the shadows.
Another good poll :)
 

Naukhel

New member
When I\'m making my feeble attempts at figuring out lighting, I just use my big 4 D-cell flashlight, and try to find the angle that casts the least shadows. Then, that\'s where the light comes from.
 

Einion

New member
Thanks for the input guys. I\'m doing my first really strict overhead-lighting paintjob on an old Citadel Eldar and it made me curious how others might plan out or visualise the effect.

Einion
 
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