myu english is not so good but i tried..this is a translation from the spanish team forum where i explained why i used some colours and where and to achieve what....
i hope it can be useful for someone.. if you have doubts, tell me and i will try to explain it better
if someones thinks that it is not the place for that please remove it
here is a translation, i am not sure if it is correct.. but.. i tried
with the small thing that is, consider q was worthwhile to deceive al eye, attracting him toward the face and the focus of main light, before that to do a degraded very smooth that al end and al tip was what were going to have my competitors, asi that by that side, would not contribute anything new.. but obtaining a sufficient cleaning to compete in a contest of level. ....always conscious that is not perfect.. I consider it pretty, good in light and in the face, but not tecnicamente.. is to comply with the necessary thing.. and sufficient for that
the face of juan diaz is very good, but itself step al to grow fat the face.. the face is round and nevertheless the face of the actress is sharp. so to obtain that effect you need to remodel it with the painting.. for that reason used blue for reduce the sensation of volume. therefore the shadows are in blue oxford.. while q the pómulos?¿?¿ have carnaciones?¿?¿? (carnations?¿?¿) of an ochre reddish, not orange, to emphasize those volumes.if had put him rose as your you say, loaded the cromatic temperature of the face, q carries a lot red, since the rose is a red one agrisado, that is to say, a red one al that him there they are kitado intensity and if put him rose in the center, it manage to is to charge you the effect of the face and to have q to do it every palid... while if Reddish tones, instead hit but, but you give him too much fleshiness and then it charge you q have done before sharpening the jaws
The zenithal lighting is forced toward our right putting in shadow parts of the front to accentuate the volume of the face crosswise.
The lights are my clear but they have a proportion of meat and yellow ice, for which maintains the hot tone.. A hot full one and cold, because if you set you almost all the mini carries blue.
The carnations (where the blood usually concentrates) of the face give him fleshiness, they give sensation of redondez.. therefore accentuates him the cheekbones the fact to introduce ocres reddish or anaramjados in zones that are degraded toward the light.
Nevertheless the jaws, al to be too round and wanted to sharpen them, I introduced him blue oxford, that is a blue one without saturacion, without intensity, agrisado, what moves away it me of the eye of the spectator, in contrast with the general reddish tone, that does the contrary effect, that is to say, to approach the volume toward the spectator.
al real the effect is a lot more clearly
here is the link.. the pics are not so good.. but... and please, dont give me 1 ratings.. it is not nice.
http://www.coolminiornot.com/132026
i hope it can be useful for someone.. if you have doubts, tell me and i will try to explain it better
if someones thinks that it is not the place for that please remove it
here is a translation, i am not sure if it is correct.. but.. i tried
with the small thing that is, consider q was worthwhile to deceive al eye, attracting him toward the face and the focus of main light, before that to do a degraded very smooth that al end and al tip was what were going to have my competitors, asi that by that side, would not contribute anything new.. but obtaining a sufficient cleaning to compete in a contest of level. ....always conscious that is not perfect.. I consider it pretty, good in light and in the face, but not tecnicamente.. is to comply with the necessary thing.. and sufficient for that
the face of juan diaz is very good, but itself step al to grow fat the face.. the face is round and nevertheless the face of the actress is sharp. so to obtain that effect you need to remodel it with the painting.. for that reason used blue for reduce the sensation of volume. therefore the shadows are in blue oxford.. while q the pómulos?¿?¿ have carnaciones?¿?¿? (carnations?¿?¿) of an ochre reddish, not orange, to emphasize those volumes.if had put him rose as your you say, loaded the cromatic temperature of the face, q carries a lot red, since the rose is a red one agrisado, that is to say, a red one al that him there they are kitado intensity and if put him rose in the center, it manage to is to charge you the effect of the face and to have q to do it every palid... while if Reddish tones, instead hit but, but you give him too much fleshiness and then it charge you q have done before sharpening the jaws
The zenithal lighting is forced toward our right putting in shadow parts of the front to accentuate the volume of the face crosswise.
The lights are my clear but they have a proportion of meat and yellow ice, for which maintains the hot tone.. A hot full one and cold, because if you set you almost all the mini carries blue.
The carnations (where the blood usually concentrates) of the face give him fleshiness, they give sensation of redondez.. therefore accentuates him the cheekbones the fact to introduce ocres reddish or anaramjados in zones that are degraded toward the light.
Nevertheless the jaws, al to be too round and wanted to sharpen them, I introduced him blue oxford, that is a blue one without saturacion, without intensity, agrisado, what moves away it me of the eye of the spectator, in contrast with the general reddish tone, that does the contrary effect, that is to say, to approach the volume toward the spectator.
al real the effect is a lot more clearly
here is the link.. the pics are not so good.. but... and please, dont give me 1 ratings.. it is not nice.
http://www.coolminiornot.com/132026
