IRON MAN MKIII
Hi to all.This is one of the last jobs to knightmodels just out for sale as the second anniversary special ed. Web-only sales. PLEASE TAKE NOTE ABOUT THE REAL SIZE OF THE MINI.L I ALWAYS HOW HUGE PICTURES TO SHOW HOW IT IS DONE AND TO BE USEFUL FOR THE INTERESTED PEOPLE WHO WANTS TO KNOW WHY AND HOW.. BUT IT IS A 70MM MINIATURE SO IF YOU WANT TO SEE PICTURES WITH THE REAL SIZE HERE IS THE LINK: http://coolminiornot.com/258980 the mini is an aggressive pass. super interesting to paint. very well modeled and with many possibilities in my opinion if what you want is a good challenge. at first the approach was to make an iron man more conservative, but the truth is that lately I've noticed a kind of sense of "level up", q me understand certain concepts in a more comprehensive, I am very happy the truth. kizas might sound daft q but I think we all have these feelings from time to time. in my case I got the painting as a learning process .. so I never get bored at all .. q when it seems you're stuck you find an extra motivation makes q q q dare to something is out of reach. That alone is a learning .. after the duel of anakin vs obi wan, took a lot to assimilate the learning q with that scene. believe q after about eight months I understood everything at that time q swallow at once. I'm veering towards a kind of painting at this time q I enjoy a lot, and each figure that i paint in that direction i understand it better. My idea is to move the covers of comic illustrations to the thumbnail, I q is much more complex and taking into account the 360 ° of a figure. the idea is that each view appears an illustration, both colors, the ambience, the lighting of the volumes, effects and treatment of materials .. basically I soak a lot of comic cover and try to understand how these artists get the effects. treatment during the process of painting is very aggressive and look for the effect from the beginning .. then polish to what techniques work very closely .. but the effects work almost from the beginning of the process. surelly you will see process of it in the future somewhere i paint and print in the middle of the process, satin and polished look natural but always with paint. I do not use varnish but if I'm giving a lot of work to inks. and the richful tones and within the same color .. the different nuances that i try to get the desired effect .. but of course, is just my opinion. the key is to understand very well the volumes in order to function at the hearing and to rotate the selected thumbnail. is painted in 9 days but I really think q with a month's work can be done something truly amazing if you have questions ask me. attempts to resolve them. q I hope you enjoy it. for me has been super nice experience. I have enjoyed so since the beggining and the pity is that when you paint an Artbox it require a fast work to be on time. THE IDEA IS TO COPY THE SPARKLING EFFECTS THAT I HAVE SAW IN 2D ARTIST. WITH LITTLE SCRATCHES OF LIGHT, SPARKS, LIGHT POINTS AND FUZZY CHANGES.. EVERYTHING IS MEASSURED TO ACHIEVE THIS EFFECTS IN ALL THE ANGLES POSSIBLE. SO WHEN YOU SI A HARD CHANGE IS BECAUSE IT WORKS LIKE THAT, SPECIALLY IN HANDS. all coments are welcome. i let here a link to the spanish team forum where you can see huge pictures to see the brush strokes form closer. and also some fast taken pics with mobile camera to see how it works in real if you have the curiosity. Alfonso if you take a look in the link below you can se huge pictures and explanations, reference pictures and how i managed it. maybe you could gfind it interesting: http://spanish-team.com/foro/viewtopic.php?t=12950 i accept commissions - thanks for watching it
Posted: 6 Sep 2010
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